I was planning on writing a post tonight about studying for my imminent and massive astronomy test and how astro always sends me on a massive philosophical kick about what it all MEANS, which got me thinking about Dylan "Do Not Go Gentle Into That Good Night" Thomas, who in turn got me thinking about poetry in general, which usually always brings me back to my favorite poet of all time, the great John "No Man Is An Island" Donne.
I want to marry John Donne for many reasons. For one, he spent most of his life madly in life with his wife Anne and wrote gorgeous poems for her. Secondly, he was sort of a poetic Renaissance man -- his work ranges from intense theological musings like "Batter My Heart" to still-fairly-bawdy love poetry for Anne like "To His Mistress Going to Bed," which requires no explanation. Ernest Hemingway owes him big time for his "for whom the bell tolls" sermon. And just look at his picture. He's adorable.
He was also a sucker for ridiculous puns and metaphors, which makes a lot of people want to tear their hair out but which I absolutely love. This is especially evident in my all-time favorite John Donne poem, "A Valediction Forbidding Mourning," which I am posting in its entirety because it is awesome.
As virtuous men pass mildly away,And whisper to their souls, to go,Whilst some of their sad friends do say,"The breath goes now," and some say, "No:"So let us melt, and make no noise,No tear-floods, nor sigh-tempests move;Twere profanation of our joysTo tell the laity our love.Moving of th' earth brings harms and fears;Men reckon what it did, and meant;But trepidation of the spheres,Though greater far, is innocent.Dull sublunary lovers' love(Whose soul is sense) cannot admit
Absence, because it doth removeThose things which elemented it.
But we by a love so much refin'd,
That ourselves know not what it is,
Inter-assured of the mind,Care less, eyes, lips, and hands to miss.Our two souls therefore, which are one,Though I must go, endure not yetA breach, but an expansion,Like gold to airy thinness beat.If they be two, they are two soAs stiff twin compasses are two;Thy soul, the fix'd foot, makes no showTo move, but doth, if the' other do.And though it in the centre sit,Yet when the other far doth roam,It leans, and hearkens after it,And grows erect, as that comes home.Such wilt thou be to me, who mustLike th' other foot, obliquely run;Thy firmness makes my circle just,And makes me end, where I begun.
Forget a red, red rose -- Donne compares his love to gold, to the planets, to geometric compasses (who even thinks of that?). In anyone else's hands, it might have been ridiculous, but John Donne makes it work. Working in some awkward puns ("And grows erect, as that comes home"?) could have gotten really awkward, but John Donne makes it work.
Also significant is the fact that he never published a poem during his lifetime, which means that this was meant pretty much solely for Anne. Writing a love poem for your wife is one thing. Writing a thorny, complex poem that employs one of the most famous metaphysical conceits of all time for your wife indicates a huge level of intellectual respect for her, which was kind of in short supply in the 16th century.
When you're studying astro at highly unreasonable hours, it's fun picking out Donne's little astro references, too -- "trepidation of the spheres" refers to planetary motion, and "dull sublunary lovers' love" has to be one of my favorite phrases ever. Overall, well done, Mr. Donne.
(And yes, I acknowledge that John "I Write Puns In My Sleep" Donne is probably rolling in his grave over that one.)
I was eagerly anticipating Sunday Nunday--but this is just as good :)
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