Tuesday Newsday: Can't Keep It In

Twitter and I have sort of a love-hate relationship, mainly because my life is usually not interesting enough to lend itself to minute-by-minute microblogging (although this does not appear to deter almost everyone else on Twitter). However, I have to give it props today, because it's part of the reason Iranian protesters have managed to organize massive demonstrations over the country's disputed presidential election for the past two days.

Reading some of the posts from Iranians on Twitter makes me feel like the most vapid person in the world. My most recent Twitter entries are on spotting Rob Pattinson outside my dorm yesterday, while the latest missives from Tehran are on violence and arrests and protests. It's scary stuff, but it's also pretty cool to follow what might be a revolution in the making.

"Citizen journalism" is not one of my favorite concepts, mainly because over here, actual journalists do it better (and more ethically, Mayhill Fowler). But in a country where the press has been banned from reporting on the streets, where foreign journalists' press credentials have been revoked, where the government is reportedly starting to crack down on electronic media, citizen journalism might be Iran's last best hope.

Tuesday Newsday: Too Much History, Too Much Biography?

Note: The news industry is pretty insane right now -- but pretty fascinating, too. On Tuesdays, I'll be blogging about journalism -- how it's changing, who's shaping it, and what's next for the news. Thus, happy Tuesday Newsday, kids.



When the management of a major metropolitan daily newspaper decides to publish their Twitter accounts instead of their names on the masthead, you know something is changing.

This, if you couldn't tell, is the March 19 masthead of the venerable Chicago Tribune, one of my favorite papers and, coincidentally, one of the most troubled papers in the country right now.

So it's interesting that just a few months after its parent company declared bankruptcy, the Tribune printed a masthead devoted to one of the more pervasive aspects of new media journalism. Twitter is what you might call a "microblog," a vast aggregator of millions of people's 140-character status updates. At its worst, it's vapid, narcissistic, and completely pointless.

At its best, though, it's kind of the coolest thing ever. Wade through the masses of voyeuristic losers and you find really, really awesome journalists -- not just sitting there navel-gazing but delving in-depth into their reporting, taking you inside newsrooms across the country and around the world.

I follow way too many journalists on Twitter -- Daniel Victor from the Harrisburg Patriot-News, Chris Krewson from the Philadephia Inquirer, the adorable freelance blog queen Ana Marie Cox -- and while stalking my fellow newsies is admittedly a mildly pathetic way to spend my time, it's convinced me that Twitter isn't just for the self-absorbed yuppies that make up its majority. It's taught me that in the midst of layoffs left and right, of venerable papers collapsing like dominoes, there is a small subset of journalists who are embracing new media and making it work.

A few months ago, the University of North Carolina at Chapel Hill had a bomb scare on campus. Zach Tracer, a reporter for Duke's student paper, was on the scene and reporting -- but before filing a web update, he was posting everything he saw to Twitter. Watching updates come in instantly in real time was fascinating -- and yeah, it might speak to what my parents enjoy calling "the instant-gratification culture," but at the same time, it shows a remarkable willingness to adapt and innovate. Twittering the news is not going to make us any money in the short run, but maybe it's part of what will save us in the end.